Kis Kisko Pyaar Karoon 2 Movie Review – A Clean Comedy That Juggles Charm and Chaos

I entered Kis Kisko Pyaar Karoon 2 carrying a mix of curiosity and caution. For years, I have watched Bollywood comedies oscillate between harmless family entertainers and painfully awkward misfires. Somewhere in that spectrum sits Kapil Sharma: a performer whose television imprint has been undeniably strong, yet whose film outings have carried a reputation of inconsistency. That is why his return in what was projected as a clean, situational comedy felt like an invitation worth accepting. I hoped for nostalgia, for warmth, and above all, for humour that I could actually enjoy in the presence of family without having to shift uncomfortably in my seat. The film certainly attempts to deliver on that clarity of intent – though the experience isn’t without unevenness.

A Familiar Premise with an Unapologetically Chaotic Pulse

The premise is exactly what the promotional material suggests, and the film wastes no time plunging into its central circus. I follow the life of a man who, through a series of confusions and impulsive decisions, ends up married multiple times. What unfolds is an ever-expanding network of lies, misunderstandings, frantic escapes, and escalating situations that compound like dominos on fire. This template is anything but new in Hindi cinema; we’ve witnessed variations of the bigamy-comedy model for decades. Yet, here, the success of the narrative depends less on its originality and more on how cleverly – or not – the film navigates its chaos.

Kapil Sharma’s Comfort Zone Works in the Film’s Favour

I must begin with what genuinely works, because the film earns its share of laughs – especially in the initial stretch. Kapil Sharma seems perfectly at ease, as though the screenplay is built around his natural rhythms. His expressions land sharply, his punchlines appear effortless, and his timing doesn’t miss a beat. Throughout the first half, I consistently found myself smiling at the quick-witted dialogues and the micro-reactions he sneaks into the smallest of exchanges.

The writing consciously leans toward his strengths. Many of the best moments don’t rely on complex setups but on Kapil’s ability to twist ordinary lines into delightful humour. Fans who cherish his television persona will immediately feel the familiarity in his rhythm – not in a repetitive way, but in the comforting sense of watching a performer do exactly what he excels at.

Supporting Characters That Add Vibrancy to the Madness

The supporting cast amplifies the fun. Manjot Singh, who plays Kapil’s earnest yet panic-stricken confidant, is consistently entertaining. Their camaraderie sparks several laugh-out-loud scenes, especially in moments where they scramble to hide one blunder while accidentally creating another.

Among the actresses – Ayesha Khan, Hira Warina, Parul Gulati, and Tridha Choudhury – everyone inhabits their role with a certain breezy competence. The film doesn’t strive to give them intricate arcs, but within the setup they contribute effectively to the humour, confusion, and narrative momentum.

Jamie Lever stands out with one of the film’s quirkiest character ideas. She plays a woman who identifies couples as green or red flags – an amusingly modern comic twist – and her strange yet oddly endearing dialogue, “Humba Humba Bakka Bakka Bumba Bumba,” is exactly the kind of bizarre flourish that should not work but somehow does. It lingers in the memory precisely because of its absurdity.

Watching the late Asrani ji deliver his signature comic timing adds a heartfelt nostalgic touch. Akhilendra Mishra, as Kapil’s father, slots comfortably into the chaos, while Vipin Sharma’s straight-faced humour provides an amusing counterbalance to the louder jokes.

More importantly, the film stays committed to presenting a clean, family-friendly comedy – no vulgarity, no suggestiveness, no shock-value humour. In a cinematic climate where many comedies chase cheap thrills, this restraint feels refreshing.

Humour That Hits… and Misses

However, the film’s commitment to clean humour doesn’t automatically translate to consistently good humour. As much as several jokes land, an equal number fall flat. There are moments when the humour feels oddly outdated, as though someone dusted off a 2008 joke book from a railway stall and inserted its contents into a 2025 setting.

Some portions lean too heavily on slapstick or loud expressions, reducing the sharpness that the film occasionally displays. When the timing falters, the humour begins to feel forced – as though scenes were performed louder to compensate for weaker writing.

The inconsistency becomes more prominent as the second half progresses. By then, I could feel the strain of the screenplay trying to maintain momentum through quantity of jokes rather than quality.

A Screenplay that Rushes, Jumps, and Often Stumbles

The first 20 minutes move with an almost turbocharged energy. Marriages, misunderstandings, introductions, and comedic collisions arrive in such rapid succession that I briefly wondered whether the film was deliberately mimicking the protagonist’s chaotic life through its pace. For a while, this breakneck rhythm works.

Gradually, though, the editing begins revealing flaws. A few scenes end abruptly; transitions feel too sudden; and certain moments seem as if they were stitched together without adequate breathing space. The narrative starts to leap rather than flow.

Comedy → confusion → emotional beat → chase → joke → misunderstanding
The pattern becomes a cycle rather than an organic journey.

It begins to feel as if the film is assembled for quick OTT consumption rather than crafted with cinematic nuance. The screenplay is the biggest casualty of this hasty structure.

Performances That Teeter Between Fun and Excess

While much of the cast is enjoyable, a few performances grow increasingly louder. There are points where the humour slides into overacting, turning scenes into exaggerated theatre rather than comic storytelling. This begins to affect the tonal consistency of the film.

Kapil himself, though solid for most of the first half, occasionally looks strained in the latter portions. It isn’t a flaw in his performance – rather, it reflects the fatigue of carrying a screenplay that cannot always match his energy. His sincerity remains intact, but the writing gives him less to anchor in the second half.

Music and Emotional Weight: The Weaker Sides of the Experience

The music doesn’t contribute meaningfully to the narrative. Honey Singh’s song begins on an average note; only the rap segment momentarily sparks nostalgia for his earlier style. The background score fulfils its functional purpose but rarely enhances scenes.

Emotionally, the film doesn’t aim too high, but the absence of grounding moments becomes noticeable when the chaos keeps escalating without a counterbalance. Without a steady emotional through-line, the viewer eventually observes the mayhem rather than connects to it.

Despite the Cracks, a Charming Simplicity Holds the Film Together

Yet, paradoxically, the film maintains a certain likeability. Its simplicity, sincerity, avoidance of vulgarity, and absolute clarity of purpose make it an easy watch. Children will find the silliness amusing; elders will appreciate the absence of awkward jokes; families can enjoy it together without discomfort.

But logic? That has conveniently taken a holiday. The film wears its illogical streak proudly, signalling early on that its goal is to generate funny situations and nothing beyond that.

Final Thoughts

Kis Kisko Pyaar Karoon 2 offers a blend of clean humour, fun performances, and moments of genuine laughter – along with outdated jokes, loud acting, erratic editing, and a screenplay that loses coherence midway. It is neither a groundbreaking comedy nor the kind of film that reinvents anything within the genre. But it is also far from the cringe-inducing fare that Bollywood occasionally delivers under the label of humour.

If you enjoy Kapil Sharma’s comedic flavour, or if you simply want a timepass entertainer to watch with the entire family, this film does exactly what it promises. Walk in with relaxed expectations, embrace the chaos, overlook the lapses in logic, and you will leave in a pleasant mood.

If, however, you expect refinement, narrative polish, or smart humour, this may not align with your taste.

Rating: 2.5/5